Three Poems

I can fare robustly for you—pilgrims of the exposed nail bed, busted radiator.

We’re Not Supposed To Live Here

 I can fare robustly for you—pilgrims

of the exposed nail bed, busted radiator.

Give me a blanket to ensnare myself,

microwaveable slippers to dwell

continuously inside.

Alarming how quickly this vanity’s shed.

The cycle of intention, habitual growth,

trading my time like playground pebbles

for an hour lost: screen time, vacuity, the opportunity

to linger my lips over your facial mole.

Warmth could draw us out like vain posies

experiencing, greedily, a country divided;

late summer legs tanned against chiffon.

Huddle and I’ll knit for you, I swear

I’ll try my teeth on you. Hoard layers

like we’ll never see the sun again. Turn

carnivorous. Live for that moment.

I write one poem and every nail is gone.

 

Shopping for Housewares at Dollarama

 I encroached upon the last bastion of disdain

at Dollarama. I waned

significantly. Personality tired

of itself, regularity, the

steady trail of our sun over an arced earth.

I remember the way

you looked at me, took note of

the way all synonyms for continuity harbour

soft vowel sounds; disdain, hard.

The way you wrote unnecessarily

on index cards: The Facts.

They blew flesh from bone.

I took refuge with the shower curtains, considering

what’s sadder—

dandelions blowing their wishes

to the wind …

or generic geometry. There

I had the chance to define myself

to unsettle. Considering stability

in the form of a grommet—structurally.

Remember

how you were so in love you couldn’t even look

at me? How you wanted to tear the flesh

away and suck my perfect skull. Remember

how you still are.

I considered continuity, housewares

in the steady rhythm of primary/chrome

hand-safe can-openers, cheap, magnetic

adhesive burglar alarms. Now

I have the chance to sound just like everyone else.

 

At This Point

 If I’m bitter, then

I’m bitter. That’s what I’ll be:

a young person approaching the nadir

of a penchant for optimism.

And you—the only boy at the check-out counter

with a full beard. At that point, I’d fallen

enamored with your hands, you, dwelling behind, or

the simple wooden prayer beads on your rough neck

rattling. Your milk crate philosophy, even poetry, Hemingway

and Churchill like the heart beating your chest.

I was eighteen. I was a puppy dog, or something

similarly cute and intrusive.

We filled communal beds with our bodies, hands

accidental on crotches. You filled me with bonfire

stories. Filled my boyfriend with too much Pomtini.

Later, on the porch, you filled me with your tongue

and commented glibly on my organ,

how it pulsed at varying rates.

That’s who I am now; noumenal.

A person who learns words:

nadir, noumenal, glib. I am self-reflexive.

Sometimes, I am even detached. Your hands

slick with oil, or dirt—your body, thick

with existing, unseen. Outside, you drew me in

with just your voice in the dark

soft and solid, our sounds curving around

spills of yellow light, pooling violet

parked cars.

I don’t remember what we said.

If that’s who I am, that’s what you are.

 

About the author

Jessica Bebenek is a Toronto poet and writer with work appearing in Prairie Fire, Grain, and Little Brother, among other places. She is the founder of the micro-press Grow & Grow and the author of three chapbooks, most recently Kettle Song. She is at work on her first full collection of poetry, tentatively titled No One Knows Us There. But mainly right now she knits.