Seasonal Sonnets: Five Guidelines for My Death

Then bury me in the salty sea, or among the ice


I. Should It Happen in Spring

Then bury me in the salty sea, or among the ice

floes of Hillsborough. See the teenagers out there

who play with their poles, leaping recklessly

from shard to shard. I was once among them.

There is a secluded grove near Lewis Point

where, at our adolescence’s dawning, we’d sneak in

to watch older kids fuck in their cars.

Beyond that place is the river, its stench in

spring rising like invisible cumulus. This is winter

giving up the ghost. Take me out in a

boat, drop me overboard. Watch my corpse

vanish into the whorls of the estuary.

Afterward, go home. Stay up late.

Take your dick in your hand. Watch Bleu Nuit.

 

II. Should It Happen in Summer

Then don’t let my body leave the boundaries

of Halifax; no pilgrimages to Stewiake.

Hold my funeral in the Public Gardens

among the duck feces and weeping willows.

Tell my guests they’re staying at the

Lord Nelson. Tell them to wear galoshes,

even if it doesn’t rain.

The procession should go down SGR, but

make sure we pass the Waverly Inn.

Hold the reception on a patio.

Tell my guests to drink pilsners in

the sun, to eat cool salads.

Don’t mention I once wrote

this city’s soul in water.

 

III. Should It Happen in Autumn

You’d think cremation an obvious choice—

reds and oranges, flaming yellows,

—but you’d be wrong. This city has never seen

plumes of annihilation in its clear autumnal skies.

Think about the vast Ballardian suburbs that

surround Toronto like a crust. Now there’s a death

I can’t abide; I imagine it without dénouement.

But I know I’m wrong. Every leaf clings to its branch:

the vermilion curdle, the break of its stem from

the weight of not living. If I die in this megalopolis,

I’ll do a pirouette as I give up my branch

and join those anonymous piles of fallen foliage.

If I do, invite exactly 401 guests to my funeral.

Commute them in from Oshawa and Milton.

 

IV. Should It Happen in Winter

Then the food you serve will be key.

Windows will rattle in angst, the windiest

intersection in Canada beyond their panes.

Winter here is a paradigm. Like Pembina Highway, it

accomplishes a fathomless length. The irony of death

is a fridge. Preserve my body with coolants

until the ground softens enough to slip me in.

This town’s heart, like a woman’s, is forked:

The first thing I felt here was the nip of

frostbite on my thumb.

The second was your breath.

It brushed my ear through the phone.

At the wake, serve thick stews and black beer.

Search for traces of me once the snow melts.

 

V. Should It Happen in Some In-between Season

You’ll know it by the angle of snow squalls in May,

or the abrupt cool that descends on that lake in

Hanoi. You’ll realize the season when blizzards

touch down during summer in Australia, when

a twister rips through Quebec Street in Guelph.

Show the air no mercy when it betrays you;

hide your body behind thick coats in June,

or waggle your Speedo in November’s face.

The last breath from my lungs will be tepid

and sour, clam chowder recollections of a

visit to L’Ardoise, where July awakes each

morning to frost on the grass.

Make no mistake about these transgressions:

They’re my fault. Burn me in effigy.

About the author

Mark Sampson has published two novels, Off Book (Norwood Publishing, 2007) and Sad Peninsula (Dundurn Press, 2014), a short story collection, The Secrets Men Keep (Now or Never Publishing, 2015), and a collection of poetry, Weathervane (Palimpsest Press, 2016). His stories, poems, reviews and essays have appeared in numerous journals throughout Canada and the United States. Originally from Prince Edward Island, he now lives and writes in Toronto.