Issue 48: Winter 2020

I wait in an airport line with Dionne Brand

Let’s say it, borders are just lines that/ even children don’t heed

“let’s say it, fascism,
how else to say, border,
and the militant consumption of everything”
Inventory, Dionne Brand

Let’s say it, borders are just lines that
even children don’t heed, scribble away
outside them. If we scaled

a mountain together would we find
lines zigzagging through? At the sea-shelf
that drops down, down
into a border, let’s stand

straddling a tree, a forest’s borderline. Live out
life in a train station or airport, a borderland
manifested in concrete,
metal, & why do you want

to cross from one cluster of nitrogen to another,

why trade one leaf for an identical
one, to taste the water
on the other side. Give an answer

someone else has already given. Someone else
from somewhere else with different skin
has shed strands of black hair
on the same counter to the same person,

maybe, who will maybe let you past
what is not a solid line. Give them an answer
that does not match the one
you want to say. To say, some drunken man

drew a line on paper & now we have to beg
our way back home.
Find a remnant
of colonial rule that is kind, this
is my challenge to you. I suppose

you could say a language becomes poetry
when it is all you know, poetry as a warm
blanket in December, poetry as metaphor
for betrayal thick as forgotten burial grounds.

About the author

Manahil Bandukwala is a writer and visual artist based in Ottawa and Mississauga, Ontario. She is the author of Heliotropia (Brick Books, 2024) and MONUMENT (Brick Books, 2022), which was shortlisted for the 2023 Gerald Lampert Award, and was selected as a Writer’s Trust of Canada Rising Star in 2023. See her work at manahilbandukwala.com.