"A Prophet Tells of the Rapture" & "How Do I Leave This Group Chat?"

She says she doesn’t know why her bibles stopped talking back.

A Prophet Tells of the Rapture

She says she doesn’t know why her bibles stopped talking back.    I’m a good mother, she slurs. A certified Vodka Saint.   She wraps her newest bible—ripe and preteen—in scraps of leather she salvaged from the past and holds it up for the congregation.    When the taking comes (& it always does), this one will be mine forever.   She kisses her bible twice.   The malodorous mélange of Bukoff and E&J stains her breath and coats the bible in an isopropyl igloo of protection.  When the taking comes (& it always does), Lord, you will not take this one.   The congregation hoots and hollers, old devotees drop to their knees, a man playing the drums yelps Hallelujah and faints.   Far out in the back, some holy ghost takes another shot.

How Do I Leave This Group Chat?

We all learned how to swim
& I am an uncle now, too many times over.
The floods, they came and came, & carried
us, our pages damp & molded, our ink
bleeding, to each other.  Sure, I love you –
in the way the world says I should,
& yes, I wish I were a stronger swimmer back then.
But different translations of holy texts
all demanding honor & loyalty, feigning
closeness without proximity, sit in silence.
Our mouths, they’re working.  But no one understands
            a single word.

About the author

Kashawn Taylor is a formerly incarcerated writer and educator based in CT. His poetry, short fiction, and essays have been or will be published by such journals and magazines as The Poetry Lighthouse, Lucky Jefferson, Oyster River Pages, The Offing, Sequestrum, The Ilanot Review, and Poetry Magazine. His full-length collection of poetry, subhuman., was released by Wayfarer Books in March 2025; he has a collection of prose forthcoming with Whiskey Tit Books called Kites. He currently teaches with Gotham Writers Workshop and works with Prison Journalism Project as the 2026 Audience Engagement Fellow.